The poem expresses a sense of loneliness enveloping the poet's heart and mind. To focus more closely, though, on these words is to notice the possible pun "where no human races" and the tensions that produces between the two possible meanings: Frost observes on the onset that the snow is falling "fast", he repeats it twice.
He's telling us how he wishes all the pain will go awy and also how empty humans can really be. The speaker is strong enough to endure his depressed loneliness and will continue to endure life through and through. The Poet as Regionalist.
The snow cover will thicken and be covered by night, and will lack physical expression and anything to say, "benighted," describing the snow, puns on both the fall of night and spiritual ignorance.
The Reader and the Poet.
Here, in the last stanza, the major paradox of the poem is resolved. Frost indicates that it will get worse before it gets better: The persona is trying to involve the reader by sharing his emotions, and what he sees in the world around him.
But, the ending of the poem gives a different impression of the loneliness of the speaker.
He had been suddenly overwhelmed by a sense of loneliness. But if the intrusion into the poem of prosaic astronomers seems unduly reductive of Frost's intended ambiguity, it might be more appropriate to take "they" to mean nature itself, pluralistically figured, since nature has been felt throughout the poem as a collection of material objects.
It Deserted places poem necessary to shift the focus from the poet himself back to the scene before him in preparation for the final statement in the last stanza. He does not, however, welcome the snow or night and describes them as "smother[ing]" the "animals". This sense is akin to if not identical with Emerson's discovery, made "too late to be helped.
The quickly falling snow and descending night will soon cover the field so that it will soon bear few if any traces of life or movement. However, whereas Frost comments on the snow and how it represents loneliness, he sadly holds the "trump" winning card. This annihilation is figured as death, the ultimate weight of which in cosmic fashion smothers all life, leaving the poet alone in a dead universe, touched, himself, by the death that smothers.
For the poet there is an additional terror in identifying his own "desert places" with the blank landscape: Natures ability to inspire thoughts introspection. They are cold and uninviting, and without life during the season of winter. He's telling us that even if you are surounded by people and places and things you can still be lonely because that's not what life is about.
It would be facing a desert. In its use of a balanced account of Auburn in its inhabited and deserted states, and in its employment of an authorly persona within the poem, it conforms to contemporary neoclassical conventions.
Snow falling and night falling fast, oh, fast In a field I looked into going past, And the ground almost covered smooth in snow, But a few weeds and stubble showing last.
The deserted places in the external world or in the sky between the stars, where no human creature lives, cannot scare or frighten him any more than the desert places within his own soul which lives so close to him.
Robert Frost's poem, Desert Places, speaks on the loneliness and solitude that a person often feels, and relates this loneliness to nature. Even now the devastation is begun, And half the business of destruction done; Even now, methinks, as pondering here I stand, I see the rural virtues leave the land.
The speaker was in the grip of a blank fear and spiritual exhaustion which is neither explicable nor has an outlet. Desert places visible in between stars can't "scare" the poet or the speaker in the poem more than his own inner emptiness--"my own desert place." The poet-speaker is overtaken by a sense of fear when he sees the vast gulf between the eternity and the small space (that also deserted one) that he fills in.
Desert Places is a famous poem by Robert Frost. Snow falling and night falling fast, oh, fastIn a field I looked into going past,And the ground almost covered smooth in snow,But a.
The entire poem is an objective correlative for the last line. The ‘desert places’ are within and without, and Frost conveys this by both image and the sound of his4/5(11). The title of Robert Frost’s poem “Desert Places” is particularly intriguing.
We normally think of “desert places” as vast areas of dry sand baked under the blistering heat of the sun. In Robert Frost's poem, "Desert Places," the symbolism used seems to be that of nature, specifically snow, to represent a separateness or loneliness as the world becomes covered, blanketing not.
The Deserted Village is a poem by Oliver Goldsmith published in It is a work of social commentary, and condemns rural depopulation and the pursuit of excessive wealth. The location of the poem's deserted village is unknown, but the description may have been influenced by Goldsmith's memory of his childhood in rural Ireland, and his travels around England.Deserted places poem